スキップしてメイン コンテンツに移動

A Theory of Prefaces

This poem examines the small qualifying phrases people often use before expressing an opinion: “I’m not really sure, but…,” “I don’t know much about it, but…,” or “I’m not very good at this, but….” Such remarks may sound modest or cautious on the surface, yet they often conceal a variety of motives—avoiding criticism, seeking approval, protecting one’s pride, or easing personal anxiety.
The poem observes both the cleverness and the vulnerability hidden within these verbal prefaces. Human beings rarely speak with complete certainty. Instead, they soften their words, lower expectations, and cautiously reach toward others. In the final lines, the poem moves beyond satire and suggests that these prefaces are not merely rhetorical devices but expressions of a deeply human desire to connect. Understanding the feelings behind them becomes an act of empathy and acceptance.


 A Theory of Prefaces

“I’m not really sure, but…”

One begins with humble words.

Claiming uncertainty,

yet speaking with apparent confidence.

A technique for avoiding rebuttal.

A subtle request for leniency.

The pleasure of gaining agreement

and receiving approval.

Such is the carefully calculated

art of the preface.


“I don’t really know much, but…”

Ordinarily, one might simply listen.

Yet while claiming ignorance,

one offers opinions as though informed.

Built upon uncertain information.

Judgment of wisdom remains suspended.

A desire to make one’s presence known.

A display of self-importance.

Such is the suspicious charm

of the preface.


“I’m not very good at this, but…”

One speaks with apparent modesty.

While professing inadequacy,

one presents something

that is far from inferior.

Humility waiting for evaluation.

Confidence concealed within.

Expectation mingled with anxiety.

Such is the delicate balance

upon which the preface stands.


Even without understanding fully,

one may wish to satisfy vanity.

Even without knowing fully,

one may wish to preserve self-respect.

Even without excelling,

one may wish to suppress embarrassment.


Human beings stretch themselves

through such prefaces

in order to connect with others.

And those who can sense

and receive what lies beneath them

are precisely the people

for whom such prefaces exist.


Written on June 12, 2026.

People reveal themselves through the words they place before what they truly wish to say.

このブログの人気の投稿

Knowing at Sunset (New Year’s Card, 2026)

his poem reflects on life as it is seen at sunset— not as an ending, but as a moment when past light, lingering warmth, and the promise of a new dawn quietly coexist. Knowing at sunset — the gradations of a life. Passion has not yet cooled; the days bathed in sunlight now lie distant. Life glows in the lingering afterlight. Melting into sunset — the strange encounters a life bestows. Benevolence remains precious still; with the sun at one ’ s back, shadows are cast. Life resounds in the hues of evening. Cherishing the beauty of sunset — the last story of a life. Embers have not yet burned out; in the stillness that reaches culmination, one is suffused by a new sun.

To Those Guided by Young Children

This poem listens to life as it is reflected in young children— their gaze, their silence, their small questions. Each moment asks something of us, quietly but unmistakably, calling not for sentiment, but for responsibility, care, and action. To Those Guided by Young Children To meet the gaze of a young child demands a sincerity that faces them head-on. In a young child’s tears, an anger that must not be indulged is questioned. In a young child’s smile, the meaning of selfless joy is questioned. In a young child’s gestures, the warmth of an embracing presence is questioned. In a young child’s fragile voice, our readiness to respond without delay is questioned. In a young child’s silence, the wisdom to sense the heart beyond words is questioned. In a young child’s small questions, our breadth of vision toward the world is questioned In the radiance of a young child’s life, our resolve to protect the present is questioned. The peace a young child seeks without cease mu...

A World of Right and Wrong

This poem examines a world where the line between right and wrong is deliberately blurred. By questioning language, justification, and power, it confronts the moral evasions that sustain domination and asks what happens when self-overcoming is refused.   A World of Right and Wrong   When facing a matter, we must examine our way of thinking. We must examine our use of words. We must examine our everyday conduct.   What is the basis that claims alignment with reason? What is the basis for asserting what is “ right ” ? What is the basis for believing one is doing good?   Is a slip of the tongue a lie meant to protect oneself? Is a mocking laugh arrogance that looks down on others? Is failure nothing more than shifting responsibility?   Self-serving values are proclaimed as legitimate. Self-centered ethics are boasted as humanitarian. Ego-driven morality is substituted for education.   One secures absolute c...